In short, they become a victim of honour killing. They fail to resist the social, political and caste conflicts and get killed.
This story re/presents the struggle of inter-caste marriage couples, social unacceptability and exclusion. A class conflict and the characters’ struggle can be seen through the protagonists Parshya (Akash Thosar) and Archi (Rinku Rajguru) when they get married and start living their lives as an average couple, but nothing happens as a happy ending. This article significantly exemplifies the Sairat movie to understand how a young generation in Maharashtra (especially from the rural areas) is facing caste hierarchy, class conflict, discrimination, gender-related issues and challenges in their lives. In India, caste conflict, Brahminical hegemony and gender discrimination issues have produced fewer cinematic narratives about subalterns and badly left them without a voice. Unfortunately, these films have not received good responses nor got a box office success like Sairat movie did in the twenty-first century.
In Maharashtra, a few numbers of films have been produced on Dalit marginal or subaltern narratives, mainly based on the intersectionality of caste and gender conflicts.
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